About
Through immersive installations and richly textured works on paper, I use elemental materials and abstract forms to explore light, nature,
and the poetic tension between perception, emotion, and environmental memory.
My interdisciplinary practice creates participatory environments and intricate works on paper that explore the emotional and sensory
dimensions of nature, light, and movement. Working with a diverse range of materials—glass, steel, resin, ink, wood, watercolor, and stained
glass—I allow each element to guide the process, letting their textures, translucency, and rhythms shape abstract, poetic compositions. My
interest lies in what’s fleeting and barely visible: the shimmer of water, the shift of light, the feeling of an instant. These moments become the
foundation for dreamlike installations and luminous paper-based works that speak to both presence and imagination.
Influenced by magical realism, adventure narratives, and the structure of scientific inquiry, my work often references the natural world—rivers,
skies, gardens—and the human urge to explore and make meaning within it. Installations act as small worlds or theatrical spaces where
viewers are invited to wander, reflect, and connect. My art on paper—delicate monoprints, watercolor drawings, and ink compositions—serves
as narrative fragments, characters, or visual poems that deepen the story within these constructed environments. At the core, my practice is a
meditation on connection—between people, materials, and the living systems we are part of—and a quiet call to protect what is vital and
vanishing. Water, in particular, is a guiding force in my work—a metaphor, medium, and subject that ties the emotional to the ecological, the
personal to the planetary.
My process is both rigorous and intuitive: research-driven, yet guided by unconscious associations. The result is work that invites participation
and introspection while gesturing toward a collective dream—a gentle, yet persistent hope for coexistence, transformation, and sensory
awakening.